Seminar: Nature/Data

The fascination for the beautiful, sublime and primordial of nature is as old as any theory about human perception itself. An early understanding of the arts was to capture the aesthetics of nature in a worthy medial translation through images and sculptures. The seminar picks up this classic perspective and updates it through the development of innovative, media-based forms of translation. How can the aesthetic aspects of the natural such as form, colour, motion and texture be captured, abstracted, translated and stored by new forms of media?

In a series of workshops we examined areas around Basel with computational photography, 3D photogrammetry, data sampling through video tracking and sound analysis. Which aspects make up the appeal of the natural? Which emotions do we associate with it? And how can the natural be told apart from the artificial in the first place?

We understand the captured data as isolations and conservations for elemental aspects of "natural phenomena", which allow for a critical reflection about these aesthetic questions. The seminar ended with a public exhibition on the Dreispitz Campus in Basel.

Lecturer: Ludwig Zeller

Seminar: Data Exploration Spaces

Data coins our contemporary culture by sensing, storing, archiving, transferring and computing our lives, behaviours and communication. But data is also known for being volatile, hidden and overwhelmingly confusing. In this seminar we continued our investigations into the narrative potentials of design and data and strived to create data exploration spaces. Media scenographies that merge physical and virtual space by giving data materiality and space.

Lecturer: Ludwig Zeller

SYNTHESIS

SYNTHESIS is the name of a series of workshops at the Visual Communication Institute of the Academy of Art and Design in Basel and that led to a public concert for the opening of the new campus in September 2014.

The basic premise was to use generative systems to create visual instruments that mimic the expressivity of electronic music synthesizers. Parameters of visual synthesis engines were made controllable through haptic interfaces in order to design and spontaneously improvise images intuitively and in real-time.

The performativity of that approach was exemplified through audiovisual performances at the end of the workshops and presented publicly in a concert situation with the hardware electronic band VITA ARTUR that was organized by Ludwig Zeller and Johannes Bruder at the Critical Media Lab Basel (CML).

SYNTHESIS concert with students of HGK and VITA ARTUR.

Swarm Synthesizer by Lazar Jeremic and Cyrill Studer.

More information at creativeapplications.net

Lecturer: Ludwig Zeller

Seminar: Data Poetics

Our information societies are based on the mass production, transportation and consumption of large amounts of data. Terms such as Big Data do not only apply for scientific research anymore, but have been transferred to humanities and are used to describe the mechanisms of our networked culture.

Culture in general is well known to be influenced by technological conditions, but still it is often hard to recognize and describe these changes precisely. Narratives, as a foundational cultural technique, are a way to communicate these hard to grasp moments by opening up a space for aesthetic contemplation and ambivalent strands of discussion.

Which poetic dimensions can be found in data? Which traces are we producing with our recording devices every day? How can data tell stories? The aim of this seminar is to design poetic data aesthetics in order to provide some insights in the mechanisms of our information society.

Lecturer: Ludwig Zeller

Seminar: My Data is Your Data, and Your Data is Mine

Today's world is generating, storing and processing more information than ever before. We carry the computing capacities of former room-sized supercomputers in our pockets, and these mobile computers are connected to all the other pockets. Young teenagers already live in a world, where they cannot remember a time without permanent online communication and social networks, and seem to be used to presenting their private lives to a global public much more than their parents.

What are new and maybe more meaningful ways for design to integrate these possibilities into our lives? How can these growing databases be made tangible? And how might this change our existing societal paradigms?

Lecturer: Ludwig Zeller

Seminar: Picture Making Machines

Since the introduction of graphical capabilities to computing machines designers and artists explored the possibilities of algorithmically created images: picture-making machines. But who is the creator of these generative designs? Is it the designer or the machine? Can the creative process of inspiration be re-modelled in a computer?

Students in the MA program have been designing and prototyping picture generating machines that encode surprising and complex behaviours from simple rules, sensor feedback and mechanical constraints.

Lecturer: Ludwig Zeller

Seminar: Light and Dark - The Manor Facade Project

On invitation of the warehouse Manor students and alumni of the HGK FHNW developed ten individual projects as a contribution for their temporary media installation from December 1st - 24th 2011 in Basel.

The students of the Institute of Visual Communication have been working over a project duration of six weeks on the creation of interactive and reactive pieces. Special emphasis has been put on the investigation of the cultural role of architectural light stagings.

Check out the Project website

Lecturer: Ludwig Zeller

Seminar: Boundless Visions

"Augmented Reality" (AR) refers to contemporary techniques that add or superimpose media content into one's perception. Much effort is currently being put into the defelopvment of the necessary components in tracking, spatial sensing and computer vision as well as output channels through portable display devices.

In this brief we designed services and applications for the ultimate AR technology. What kind of products might come up if everything can be superimposed seamlessly in one's vision? How will visual paradigms change when the members of a society grow up with this Augmented Reality as their normality?

Lecturers: Ted Davis, Ludwig Zeller

Seminar: Geänderte Generative Gestaltung

Through 'creative code', using the Processing language environment, the path from generative design [unlimited autonomous renderings] to the realm of tool [customization and interaction by the user] was explored with the aim to generate a wider range of results within a controlled chaotic process.

Lecturer: Ted Davis